Archive for January 2012

 

Magic Bullet Looks for FCPX Now Available and 50% Off!
By Aharon Rabinowitz
Published on Tuesday, January 31st, 2012

Hey folks – We are totally stoked to announce that after working with Apple these last few months, the bug in FCPX has finally been resolved, and, as of today, Magic Bullet Looks is now available for FCPX. Here’s a video with some more info:

As I said in the video, Magic Bullet Looks is available for the next 7 days at 50% off (just $199 – usually $399) , using the coupon code: LOOKSFCPX50

This offer is good for ALL HOSTS supported by Looks, not just FCPX (in fact, buy it for one host, get it for all). The offer expires on 2/6/12 at 11:59PM PST… so get Magic Bullet Looks now!

Also, as mentioned in the video, if you already own MB Looks or the MB Suite, the update to FCPX is FREE. Download the latest version of Magic Bullet Looks with #FCPX support, HERE.

 

New Tutorial on Creating an 80′s Retro Show Open
By Aharon Rabinowitz
Published on Monday, January 30th, 2012

A few weeks ago, I posted a project, inspired by some recent space animation from Trapcode Creator Peder Norrby. It started to have a real 80′s vibe so I went full on cheesy sci-fi. Here’s the result:

Red Giant TV Episode 69 – Cosmodius: Creating a Retro Sci-fi Logo Animation

In this episode of Red Giant TV, Aharon Rabinowitz walks you through the process of creating a Retro Sci-Fi logo. In addition to creating the logo, he’ll show you how to age the video to make it look like it came out of the early 80′s.

Watch the tutorial HERE.

 

Magic Bullet Suite 11.2 – Includes Avid Media Composer Support
By Aharon Rabinowitz
Published on Friday, January 13th, 2012

Hey folks – You’ve been asking for it, and, thanks to our exceptional products and engineering teams, here it is: Magic Bullet Suite 11.2

The 2 big highlights in this release are:

  • MB Looks is working in Avid Media Composer 5.5 & 6
  • The Single Suite installer now has individual product install options

BUY MAGIC BULLET SUITE 11

As a reminder, MB Suite works in OS X Lion, so no worries there. I repeat, we are go for Lion and have been for several months.

However, before the questions start coming in, no, this release does not include MB Looks support in FCPX. Sorry. We’re bummed too. Here’s a video we released a short while ago to explain why.

We’re still waiting on Apple, but we’re confident there will be a fix in the near future. You can read more about that HERE.

 

A Key Blend at Java Post
By Sarah Wise
Published on Thursday, January 12th, 2012

Last year we spoke to Jack Tunnicliffe at Java Post in Regina, Western Canada and he gave us some insights into producing the Canadian TV series InSecurity. The show’s FX-heavy visuals rely heavily on a couple of Red Giant stalwarts, Magic Bullet Colorista II and Red Giant Warp, but Jack’s go-to tool for greenscreen finishing and fine tuning is Key Correct.

Above is an example of a sequence from InSecurity where Key Correct really made a difference. Here, Jack tells us why.

“Every time I do a green screen – and I do a lot – I use Key Correct. During production of InSecurity we have to put a city background in for many episodes moving around the boss’s office. It all has to be tracked with Mocha and then keyed. I use Key Correct for all of this and it’s made it a really good-looking show.

Key Correct really comes into play when the lighting on the green screen isn’t ideal and you have to start massaging the keys.  Key Correct gives you the tools to deal with noise in the alpha, filling holes that happen in the foreground because an actor is wearing a blue or green item like a neck tie for instance.  A situation like this might require time consuming roto work to recover the tie but the alpha cleaner filter fills in the hole automatically with one selection and you’re done.

“I want everything to be photo-realistic so people don’t know it’s a greenscreen. The Spill Suppressor is awesome for taking the green or blue casts out of the foreground without harming the original image. Some keyers have suppression that erodes or deteriorates the original foreground. And we’ll use Light Wrap, which is built into Key Correct, as the final element in the keying process that helps make keys or composites realistic by blending the edge of the foreground a little with the pixels of the background image making the composite more photo-realistic.”

We’ve discussed using Key Correct on InSecurity, a Canadian prime-time TV show. But Jack told us that Java Post uses Key Correct in most of their commercial productions, making every keying job really stand out – or not, if you get my drift.

 

Mark Your Calendar for Red Giant TV Live
By Aharon Rabinowitz
Published on Tuesday, January 10th, 2012

Red Giant TV Live – Episode 9: Get Seriously Fractalled Up

Have you ever wondered about the difference between Octave Multiplier and Octave Scale? Complexity and F Scale? Trapcode Form and Particular have some complex controls over the fractal fields. On January 17, In episode 9 of RGTV Live, Harry Frank will demystify these controls and show you how to use them in your design.

Mark your calendar! Event details are here: facebook.com/events/210425679047513/

 

New FREE Presets at Red Giant People
By Aharon Rabinowitz
Published on Monday, January 9th, 2012

Hey folks – since the holiday break there have a been a ton of FREE presets added to Red Giant People. Below are just a few. Click HERE to explore all of the presets available on Red Giant People.

 

New Tutorial from Seth Worley on Creating a Comic Book-Style Title Sequence
By Aharon Rabinowitz
Published on Tuesday, January 3rd, 2012

Red Giant TV Episode #68: First Issue Credits – Comic Book Title Sequence

Get ready to open a can of awesome, because in this Episode of Red Giant TV, Seth Worley shows you how to create an awesome 2.5D comic book-style title/credit sequence. Ka-Pow!
Watch it HERE.

 

New Tutorial on Animating a Look in Magic Bullet Looks
By Aharon Rabinowitz
Published on Monday, January 2nd, 2012

Happy new year folks, and welcome back to work! Alright… now that you’re settled in with your cup of coffee let’s get productive.

So the other day, Stu Maschwitz, our Creative Director for Magic Bullet, asked me if I thought that the ability to animate a Look in Magic Bullet Looks was an under-publicized and under-utilized feature. Since I had no idea what he was talking about, we figured it probably was, and thus a Red Giant QuickTip was born:

Red Giant Quicktip #57: Animating a Look

In this QuickTip, Aharon Rabinowitz shows you how to animate the tools in Magic Bullet Looks.

Watch it HERE.