Powerful looks and color correction for filmmakers
Magic Bullet Looks brings professional color finishing to a project of any budget. With the tools available here, you can learn to utilize everything Magic Bullet Looks has to offer.
In this episode of Cheap Tricks, Hashi from Action Movie Kid shows you how to recreate the Vibranium sand effects from the end credit sequence of Marvel’s Black Panther - originally brought to life by the design visionaries at Perception.
Putting aside current 3D modeling techniques, Stu looked to the past and built the world of Tank (our latest Red Giant Film) entirely in Adobe After Effects, using mathematics and code, and hundreds of hours of painstaking animation work. Go behind the scenes to learn more about Stu’s journey in telling this visually unique story.
In episode #1 of Cheapt Tricks, Daniel Hashimoto (from Action Movie Kid) shows you how to re-create some of the VFX and motion graphics from “A Wrinkle In Time, with special guest Lyric Wilson, who played Young Meg in the film.
Stu Maschwitz shows you how to work with Log footage in Magic Bullet Looks, Colorista IV, and Mojo II.
Director Stu Maschwitz shows you how to get a cinematic faded hipster look, a balancing act of dropping contrast in the brightest and darkest color ranges, but preserving contrast in the mid ranges. This tutorial covers getting the same effect with both Magic Bullet Colorista IV and Magic Bullet Looks.
Stu Maschwitz shows you how to save and organize your Looks Presets in Magic Bullet Looks 4.
Stu Maschwitz shows you how to work with LUTs (Look Up Tables) in Magic Bullet Looks and Colorista IV.
Stu Maschwitz shows you how to work with the new Tool Presets in Magic Bullet Looks 4, and how to save your own presets for instant access to your most used settings.
Seth Worley walks you through turning a real-world environment into the Upside Down, from Netflix's Stranger things. Get Seth's Stranger Danger title sequence files at http://redgiant.com/strangerdanger.
In this video, director Seth Worley shows you how he created the visual effects in "Busted," his Film Team Experiment. See below for the Film Team Experiment and links to the tools from AEScripts+Plugins, Rampant Design and more.